Resonant Light

Rukh Art Hub / Paris – Basel Art Week

Josef Gallery, 17 Rue Chapon, 75003 Paris

Group exhibition featuring artists : Bernard Tirtiaux, Shaul Tzemach, Roman Minin, Olena Morozova, and Alexej Sachov.

Resonant Light explores the relationships between light, matter, memory, technology, nature, and perception. Drawing in part on French philosopher Gaston Bachelard’s thinking on the poetic image, the exhibition brings together five artists whose works often begin with something difficult to hold onto: a change in light, a memory, an intuition, a fragment of code, a material trace, a moment in nature. Through the artist’s attention, these almost imperceptible signals acquire form and become an experience that can be transmitted to another person.

The idea of attention as a form of energy runs quietly through the exhibition. We direct attention toward another person, toward nature, matter, an image, a memory, or an almost imperceptible change in the world around us.

In this sense, the artist becomes an amplifier: receiving something barely perceptible, transforming it, and passing it on. Light becomes sculpture. Code becomes matter. Memory becomes an image. Premonition becomes an object.

An artwork, too, can be imagined as a kind of amplifier: something accumulates within it, is transformed, and is transmitted further. But this process does not end in the artist’s studio. Resonance requires someone capable of receiving the signal. The viewer’s attention becomes part of the work.

None of the works in Resonant Light were created using generative AI. Rather than making technology the subject of the exhibition, this condition brings another question into focus: what remains distinctly human in the creation of meaning at a moment when images themselves can be produced almost instantaneously? Perhaps it is not simply our ability to create form, but our capacity to pay attention, to live through an experience, to transform it, and to transmit something of that experience to another person.

Human intelligence is not placed in opposition to artificial intelligence here. It exists within a much larger and less predictable system in which nature, technology, matter, chance, memory, intuition, and human experience continually act upon one another.

Exhibition Works

 

  • Resonance Body, 2025, Plotter drawing

  • Ancient Echo, 2019 – Press print
  • Shamanic Vector, 2025 – Plotter drawing
  • The Orbit Driver, 2025, 3D Print and Electronic system
  • Emanations of Grace, Real time generative animation
  • Radial Convergence, 2026, Plotter Drawing
  • Mesozoic Reverie, 2026, Plotter drawing and paper cut
  • Rhizomatic Coalescence, 2026, Plotter Paper cut
  • The Structural Secret, 2025 – 3D print

  • The Envoy of Time, 2025 – 3D print

  • Inflected Radiance, 2026, 3D print

  • Threshold Membrane, 2025 – Plotter drawing and paper cut
  • The Topology of Absence, 2025, 3D prints and Bamboo rods

  • Crystallization Blueprint, 2025, Generative mapping animation, Cardboard, Plaster