My practice involves a disciplined dialogue between distinct languages—using generative code, plotter drawings, and 3D modeling as the foundation, while materializing these digital concepts through CNC machining, 3D printing, and laser etching. While the algorithm dictates a path of absolute exactitude, the materials—wood, steel, and polymers—often "revolt," introducing scars, distortions, and organic anomalies. I view my process as a way of witnessing these moments of transformation, inviting the unknown into a mathematical order.
In my recent projects, I examine the "topology of absence" and the symbolic forms hidden within natural and mechanical structures. By translating abstract data into tangible objects, I aim to create a space where the mythical archetype and the algorithmic vector occupy the same reality. My work is not a mere translation, but a convergence—a mapping of invisible forces through the tangible.